NIAD is pleased to present a group exhibition curated by GGLA a contemporary art gallery in Los Angeles, California, run and founded by Andres Guerrero. Gallery Reception + Artist Talk // Saturday August 19, 1 to 4pm Read More …
NIAD is pleased to present a group exhibition curated by GGLA a contemporary art gallery in Los Angeles, California, run and founded by Andres Guerrero. Gallery Reception + Artist Talk // Saturday August 19, 1 to 4pm Read More …
About the Exhibition The title of this exhibition comes from a piece included in the show, Dorian Reid’s Rainbow Cat Picnic. In Rainbow Cat Picnic, numerous cats are joyously picnic-ing under a big colorful rainbow in what looks to be a very festive occasion. There may be rain but that rainbow safely covers the cats and their food bowls. The sun is just coming out and those cats are really having a good time! The mixed media works in this show are my Rainbow Cat Picnic–20+ pieces representing an inspiring and colorful excursion to a place of creative nourishment and a celebration as a Read More …
Crossover is an apt title for this show, which will showcase the vibrant and newly-connected fiber art scenes of NIAD and Cedars. Crossover is a companion to the textile-centered exhibition Follow the String, on view at Marin MOCA. In preparation for this show, artists from both programs visited each other’s studios, and participated in a tee-shirt and doll making workshop at Marin MOCA. T-shirts and dolls from this workshop will be on view in NIAD and Marin MOCA. Read More …
Curated by NIAD’s Emma Spertus and Julio Rodriguez with NIAD artists Felicia Griffin, Dorian Reid, and Kiesha White, the exhibition features artists from Cedars and NIAD, alongside artists from the broader Bay Area arts community. Follow the String showcases conventionally trained artists alongside artists with disabilities, blurring distinctions between “insider” and “outsider” art. Read More …
When I look at these artworks, I see their existence and how they feel as living forces; some elements remain as independent organisms where forms play out their own life; unpredictably relating to and through the viewer’s experience. Read More …
These pieces are just a few from NIAD’s current cohort, that helps me embody the possibility of the tangible space I occupy each day as well as the infinite spaces just out of my reach or yet to be imagined. Read More …
About the exhibition Henri Matisse painted Luxe, calme, et volupté more than a hundred years ago. Today, the vibrantly coloured Fauvist painting keeps instilling a sense of warmth and repose. Luxury, peace and pleasure indeed. At the moment, many of us may not be feeling at ease. To state the obvious, there’s an unfinished pandemic and a war raging once again in Europe. These are difficult times and many futures seem possible. Times are trying. Change and anxiety cannot be avoided. Very often, the extra toiling accumulates upon the female and/or racialized body. Labor and care, both physical and emotional, are often Read More …
Auctions are unpredictable animals: they can get noisy, tense, wildly out of control. Add a dash of pandemic and a helping of Zoom, and you never quite know what you’re going to get. Lucky for you, there is a small grouping of highly collectible artworks from last weekend’s event that refused to be tamed by the auction format. These newly untethered works are collected in Auctionauts, and we’re making them available in a “buy it now” arrangement. (Endless thanks to the donating artists!) Browse at your leisure (no bidding necessary), but don’t wait too long—when they’re gone, they’re gone. Artists Read More …
About the exhibition We all hear voices. Some come from inside, and others come from outside. The truest voice is the voice coming from inside which only you can hear. We hear this voice day and night. It can be loud, or soft, or strong, or annoyed, or happy, or sad. When we let our inner voice out it can create different forms of art, sometimes in words, sometimes with color, sometimes in three dimensions, sometimes with only lines. This expression can vary every day depending on the hardness of materials, the stiffness of mind, and the softness of heart. Inner Read More …
About the exhibition The exhibition windows of NIAD on 23rd street are wildly overstuffed this holiday season. Amongst a backdrop of drawings that are doodled and dotted emerge a collection of creatures that are striped and spotted. This menagerie includes an assortment of tickles and roars from the furriest felines to amphibians galore. At daybreak, dapper penguins appear as mischievous musketeers, parading their way through showers of shapes. Marsupials, with pocketfuls of petunias, patiently postpone their leaping while snails slowly scribe a chalk hopscotch design. By midday, squirrels engage in patterns of play by using their tails as paintbrushes to carry Read More …
About the exhibition To yield is to submit to pressure, to give way to an external force. It is also to produce or create something, the yield, from one’s own labor. The artworks brought together in this exhibition reflect the multiple ways matter can yield: Clay is molded and punctured by the sharp tip of the stylus, fabric gathers at the pull of the embroidery thread, and brushstrokes accumulate to reveal an overflowing mass of delineated forms on the page. While some of the artworks here physically represent how yielding is embedded in the very processes of their making, others Read More …
About the exhibition 177 Years is a group show including multiple works by Lisa Blevens, Eddie Braught, Sylvia Fragoso, Peter Harris, Tre’von Silva, Jonathan Valdivias, Christian Vassell and Susan Wise. Cumulatively the artists have spent 177 years making art in the NIAD studio working with paint, textiles, ceramics and sound. Julia and Michael co-curated this show from home while their toddler was sleeping. About the organizers Julia Goodman is known for her low and high relief handmade paper sculptures. Goodman’s innovative approach to papermaking holds strong throughlines with the history of rag paper as she gathers, sorts, tears, soaks and pulps fibers, transforming discarded bedsheets and Read More …
About the exhibition The works in this exhibition use the line to suggest form and meaning. Whether as a solid object or a mere suggestion, the line elicits connections beyond formalism, and resonates with transformative power. The synchronicity between what is made and what is felt enriches the experience with the visual languages offered here. Together, these works tell a story with line, color and form about the pleasure, diversity and complexity born from simple materials that should be required reading. About the organizer jill moniz is an independent curator of visual narratives. She shares her vision of empowering visual Read More …
About the exhibition 20 continuous linesCommunicationConnectionsRelationshipsModel MakingCirclesFriendsFamilyGrounding StonesVacationsFinding BalanceSeeing things throughColors open up our perspectivesFinding peace and harmonyEVEN through hard shiftsBREATHE WORKPRAYER WORKPERSPECTIVE WORKlaying in a fieldFeeling connected to your purposeHaving your inner light turned on from within About the selector Veronica DeJesus is a visual artist currently living and working in Los Angeles. She was raised in Miami, LA, Oakland and on the open road along Highway 10. Veronica has had numerous solo shows at galleries in New York, Atlanta, and San Francisco, including her remarkable exhibition of Memorial drawings at The Berkeley Art Museum. Her work has been featured Read More …
About the exhibition After a year of shared, global trauma, in the multiple forms of a pandemic, systemic racism, economic and environmental disaster, and political turmoil, there is a small light at the end of the tunnel. While the future remains precarious and unknown, the works in this exhibition embrace the colors of the rainbow, conveying a sense of hope and optimism. Bright and expressive, these pieces are an antidote to the losses we have endured both individually and together. Their sunniness and cheerfulness raise one’s spirits and anticipates the promise of a better tomorrow. About the selector Stephanie Hanor is Read More …
Six years ago, yes, six years ago. That is how long ago we posted this online show organized by St Louis resident Jennifer McCoy. It was in response to events that happened in her city and were happening across the nation: the killing of unarmed Black men. More than a half-decade later, nothing has changed and more lives have been lost under the boots of and at the hands of brutal police officers. A number of works have sold since then and she’s updated the show with a few new pieces that are relevant to this moment. A portion of Read More …