Felicia Griffin

“Don’t mind if I do” with work by Felicia Griffin at moCa Cleveland

“Don’t mind if I do” destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, “Don’t mind if I do” prioritizes people over artwork and makes more room for us to show up as our full selves. Read More …

OMCA Vibrations of Awesomness // Films & Fashion

Join this playful, colorful, and lively event celebrating films and fashion created by the superstar artists of the wildly popular current exhibition, Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD. Films showcasing vibrant textiles and wearable art from artists featured in the exhibition kick off the afternoon. Next up will be a live exhibition of fashions modeled by more than two dozen artists from these studios in an informal, salon-style presentation with music and fun! This program is part of OMCA’s Spotlight Sundays series that presents innovative and engaging programs the third Sunday of each month. Participating Read More …

Friday July 7 //  “Don’t mind if I do” with work by Felicia Griffin opens at moCa Cleveland

NIAD artist Felicia Griffin and Executive Director Amanda Eicher will be in person at the opening reception for this incredible exhibition! “Don’t mind if I do” destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, “Don’t mind if I do” prioritizes people over artwork and makes more room for us to show up as our full selves. Read More …

painting of famous painters titled "Normal is Boring"

“Rainbow Cat Picnic” organized by Cynthia Ona Innis

About the Exhibition The title of this exhibition comes from a piece included in the show, Dorian Reid’s Rainbow Cat Picnic.  In Rainbow Cat Picnic, numerous cats are joyously picnic-ing under a big colorful rainbow in what looks to be a very festive occasion.  There may be rain but that rainbow safely covers the cats and their food bowls. The sun is just coming out and those cats are really having a good time! The mixed media works in this show are my Rainbow Cat Picnic–20+ pieces representing an inspiring and colorful excursion to a place of creative nourishment and a celebration as a Read More …

Reception for Art of the African Diaspora 2023 // Oakland Satellite Exhibition

Opening Reception Friday February 3 6 to 8:30pm Warehouse 416   This year NIAD is delighted to have works by ten NIAD artists in both the Richmond Art Center AOTAD exhibition and a satellite exhibition at the Warehouse 416 art space in Oakland. The reception coincides with Oakland’s First Fridays Art Walk. Art of the African Diaspora, in partnership with Richmond Art Center, supports artists of African descent in the Bay Area through representation, professional development, and building a creative community.   Participating NIAD Artists: Christian Vassell Deatra Colbert Dorian Reid Evelyn Davis Felicia Griffin Jason Powell-Smith Shawna Kinard Shawn Read More …

“Search Engine”, organized by Diego Leclery (online exhibition)

This exhibition is about transcendent forms. I looked through all of NIAD’s archives to find works that conveyed something beyond this world, something magical, something that emanates a powerful force. In some cases, geometries tap into universal formulae, in others, abstract gestural strokes become vessels for cosmic frequencies from another dimension, forms that are reduced and simplified into symbols tho speak the divine names of the essences invoke those they cannot contain. I was looking for works that felt timeless, and, perhaps, even, beyond culture.

a white embroidered tshirt

NIAD Annex Exhibition // “Crossover”

Crossover is an apt title for this show, which will showcase the vibrant and newly-connected fiber art scenes of NIAD and Cedars. Crossover is a companion to the textile-centered exhibition Follow the String, on view at Marin MOCA. In preparation for this show, artists from both programs visited each other’s studios, and participated in a tee-shirt and doll making workshop at Marin MOCA. T-shirts and dolls from this workshop will be on view in NIAD and Marin MOCA. Read More …

colorful yarn ball bracelet

“Follow The String” at Marin MOCA

Curated by NIAD’s Emma Spertus and Julio Rodriguez with NIAD artists Felicia Griffin, Dorian Reid, and Kiesha White, the exhibition features artists from Cedars and NIAD, alongside artists from the broader Bay Area arts community. Follow the String showcases conventionally trained artists alongside artists with disabilities, blurring distinctions between “insider” and “outsider” art. Read More …

A graphic promoting an exhibition. Below a row of black cutout star shapes, centered at the top of the image, in exuberant black text that has a hand-cut feel, are the words “Feeling Language” in all caps. Below that in a smaller size, the words “organized by Kate Laster”. In the left half of the graphic, a page from a book with swirling patterns is covered with ten rows of the handwritten phrase “You Are Here,” hand written in a beige cursive font in all caps. The name “Mitsuko Brooks” appears to the left. In the same font, a column on the right lists the artists participating in the exhibition. Each word is separated by a diamond or a star shape

NIAD Gallery Exhibition // “Feeling Language,” organized by Kate Laster

This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.

We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …

- A painting by Shantae Robinson: Untitled (P0084). Paint and collaged elements on a square canvas, arranged in a rough grid on a red background.

NIAD Online Exhibition // “Touching,” organized by Zachary Epcar

About Touching Touching brings together a selection of works that expand, contract, distort, and modify. Through this they make some sense of the world. They are texturally complex, engaging, thoughtful, and irreverent. They open up like portals; through a variety of materials and approaches they offer us windows to an elsewhere. About Zachary Epcar Zachary Epcar (b. San Francisco) is an experimental filmmaker whose work has 
screened at festivals, museums, microcinemas, and DIY venues worldwide. He lives in Oakland, California where he is a member of Light Field, an artist-run film programming collective based in the Bay Area. View Zachary Read More …

NIAD Online Exhibition // “Day or Night it looks like Night” organized by Liliana Herrera

Posted onAuthorNIAD Art Center

About the exhibition The pieces in this exhibition were selected in a moment of uncertainty. The pandemic has affected each of us differently, but what can perhaps be agreed upon is that its longevity has worn on our collective morale. This was certainly the undercurrent of this grouping.  Dorian Reid’s Day or Night it Looks Like Night, is a depiction of September 9, 2020, a day that those of us in the Bay Area remember all too well: the day we awoke to smoky red skies caused by surrounding wildfires. The ominous tones on the canvas continue to be relevant today.  Read More …

A painting on white paper in four colors - yellow, red, indigo and grey. Yellow and red form thick half arches on the left side of the paper. Indigo forms a cloud in the middle and top right corner. Grey is a mass in the mid to lower right. Brushstrokes visible in all the forms.

NIAD Online Exhibition // “Murmuration” selected by Alisa Golden

Posted onAuthorNIAD Art Center

About the exhibition A murmuration is a flock of thousands moving together, a pattern through the sky, each bird attuned to its nearest neighbors. Made up of individual parts, the whole becomes greater and more powerful than when it stands alone. In the works presented here, individual parts are visible: pieced, gridded, grouped, and arranged with lines, letters, and fields of color. And from the thousands of works that fly together at NIAD, here is only a sample of pieces that somehow talk and listen to their nearest neighbors. A murmuration of applause to all. About the selector Alisa Golden writes, Read More …

an arrangement of works by NIAD studio artists included in NIAD Holiday Gift Guide #5 - a red ceramic snake, a wrapped necklace, a watercolor of football helmets, a scarf, a weaving, a t shirt, a beaded necklace and a print

NIAD Holiday Gift Guide #5, collected by Dawline-Jane Oni-Eseleh

Posted onAuthorNIAD Art Center

About the collection Gift-giving can be so tricky! It can be hard to know if someone has an item already, if it will be useful, or if it’s something that maybe you like instead of the recipient.  When I choose a gift for someone, I try to focus on their interests or recent big events in their life  – did they just move into a new home? Are they always dressed to the nines? Do they love sending videos about cute animals?  I curated this shopping guide with those friends in mind, so whether you are buying a gift for your new Read More …

A square canvas with strong red brushstrokes around a smaller square of white brushstrokes surrounding a flurry of strong blue brushstrokes in the middle.

NIAD x Christie’s // Future History: The Katz Legacy

Posted onAuthorNIAD Art Center

An exhibition of NIAD artists at Christie’s San Francisco We’re thrilled to be a part of “Future History: The Katz Legacy”, an exhibition at Christie’s San Francisco on view December 2-9. NIAD studio artists Dorian Reid (courtesy of Kapp Kapp Gallery), Shana Harper, Jeremy Burleson, Sam Gant, Felicia Griffin, Tre’von Silva, and Shantae Robinson will represent NIAD in the show, and we’re honored to share the space with incredible artists from our sister studios Creative Growth and Creativity Explored. Do you know about the Katzes? They’re an innovative, awe-inspiring couple – artist and art educator Florence Ludins-Katz,  and her husband psychologist Dr. Elias Read More …

an inky blue wash dilutes to a pale blue, shrouding a brilliantly red figure that gazes intensely at the viewer. The face of the figure is the same red as the body, which has no visible characteristics. Two blue eyes, a blue nose, an open red oval for a mouth. A bluish-green half-circle shape crowned with red dots is attached to the figure's cheek.

Online Exhibition: I See What You’re Feeling, organized by Daniel Krakauer

Posted onAuthorNIAD Art Center

About the exhibition   Have you ever met somebody whose emotions are so big they seem to fill up a room? These wonderful drawings remind me of those passionate people. Each subject fills their piece of paper with their emotions. Whether joyful, calm or anxious, their feelings permeate their faces, their bodies and even the spaces around them. Even when the backgrounds are empty, they are empty in ways that amplify the subjects’ inner states.  I don’t know these artists, so I can’t ask what they meant to say. But it’s art, so we each get to make up whatever Read More …

A linocut print with a slightly rough right edge. the ink is fire-engine red with very lightly speckled patches of white paper showing through here and there. in the upper center of the page, the word YIELD in handdrawn letters is tightly enclosed by an upside-down triangle, with is in turn enclosed by another upside down triangle, with a third triangle tight around the second. The borders of the two outer triangles blend together here and there.

Online Exhibition: Yielding, organized by Ann Marguerite Tartsinis

Posted onAuthorNIAD Art Center

About the exhibition   To yield is to submit to pressure, to give way to an external force. It is also to produce or create something, the yield, from one’s own labor. The artworks brought together in this exhibition reflect the multiple ways matter can yield: Clay is molded and punctured by the sharp tip of the stylus, fabric gathers at the pull of the embroidery thread, and brushstrokes accumulate to reveal an overflowing mass of delineated forms on the page. While some of the artworks here physically represent how yielding is embedded in the very processes of their making, others Read More …