From Disparate Minds:

“Mullen’s inclusion in the Biennial is highly significant and historic, marking the first time a disabled artist working with the support of a progressive art studio has been represented. Curators Rujeko Hockley and Jane Panetta selected four paintings; typical of his oeuvre, these lush, intuitive abstractions of found art magazine imagery feel deeply earnest. Representing him at his best, they’re compositionally complex and fascinating due to their powerfully deliberate nature – paint is methodically applied without being fussy, appearing purely pragmatic or matter of fact. Among the strongest works in the exhibition, Mullen’s paintings were stand-outs…

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